Art, Violence, and Honesty

I was asked to write a piece about my favourite horror film a while back, i cheated a bit.

On Horror

It also partially explains some of the underlying motivation in creating Mission from God

2013

Things that are happening next year, none of the records have believable release dates:

Column of Heaven/ Radioactive Vomit split 7". Both sides recorded, awaiting mastering and art.

Column of Heaven - Holy Things are for the Holy (We Have Seen the True Light) 7". Recorded, being mastered, artwork being done now. Not power violence. Not noise.

Column of Heaven/ Suffering Luna split LP. I think they've almost finished their side, i've written most of our side. Ideally recording before March.

Column of Heaven - Allfather LP. Second full length. 24 songs, high falutin' ideas again. Framework mostly mapped out. To be recorded in the latter half of the year. Set to be 2013's most over rated pile of pretentious bullshit. There's no such thing as power violence anyway. It's too metal. Noise is stupid. Etc.

Pick Your Side/ To The Point split 10". Recorded our side a few months back, not sure what's going on with anything else with this record.

There's some other Pick Your Side recordings being planned, but i don't call those shots.

Shows:

Jan 19th Baltimore. Pick Your Side, Left for Dead, Despise You, a million other bands. At Ottobar.

Jan 25th Toronto. Column of Heaven, Water Torture, Spearhead, Dead Church. At Polyhaus.

In March Column of Heaven are starting in Vancouver and finishing somewhere in Southern California two weeks later. Details forthcoming.

April 4th Montreal. Column of Heaven, Iron Lung.

April 5th Ottawa. Column of Heaven, Iron Lung.

April 6th Toronto. Column of Heaven, Iron Lung, Farang, SHIT.

May 24th Montreal. Pick Your Side, Integrity.

May 25th Toronto. Pick Your Side, Integrity. At Wrong Bar.

If i lose my current meal ticket in the new year Column of Heaven will tour again in the summer in the eastern US and maybe the mid-west. If not, sorry, i'll be working.

Maybe one or two local shows for Column of Heaven toward the end of the year, probably nothing else.

No shows in South Africa, Florida, Calgary, Brighton, Dundee or a Slovenian fishing village in 2013. Sorry. Fuck you. Sorry, sorry, you are like my brother. Fuck you, sorry, sorry. Fuck you. (No shows in Poland ever again for any band i'm in)

Column of Heaven interview

Recent interview done very quickly in time for Not Dead Yet fest

Questions by Payson from Purity Control

How important is it for Column Of Heaven to play live? How do you see the audience's role in a COH set?

I don’t really understand music that makes people want to sing a long and have a good time, consequently have never aspired to make music that inspires that reaction in others. I’m too selfish to think of what the audience should or shouldn’t do.

How has the song writing process changed from the Endless Blockade to COH, if at all?

There hasn’t been a noticeable clean break between how I composed in Blockade and how I compose in CoH, more of a gradual change. If you compare the Blockade/ Unearthly Trance split LP with Turn Illness into a Weapon there’s a noticeable difference.

Pre-2000 I was an incredibly angry and hostile person, frequently I was a complete wanker. In 2003 I moved to Canada and had a kind of honeymoon period where I was relatively OK with the state of the world for a short period of time. Then in 2006 the two single worst events of my entire life happened within a few months of each other and I regressed to being mad as hell about everything again, though in a considerably more manageable way than throughout the 1990s.

An element of my song writing reflects these changes in where I see myself positioned in the world.

How do you see the sound of COH evolving over forthcoming releases?

There’s a split occurring where some of the material I write is meant to be performed live at significant volume and some is meant to be studio only (Entheogen, They Never Learn, the forthcoming 7” on Iron Lung records). In the second style I mostly work solo, have a semi-improvised approach to performance, and use the recording process as a compositional tool.

Ultimately I’m working towards achieving some kind of balance and integrating the two approaches in a more meaningful way beyond either drowning the final mix of a song in noise (the recorded version of the first approach) or replacing all instruments beyond drums and vocals with harsh noise and environmental sounds (characterising the second approach so far).

Who writes the lyrics? Will you continue to write records as conceptual as "Mission From God" was?

Since I stepped down as vocalist Dave writes all the lyrics now. We talk about them a little beforehand, but they’re largely his responsibility. As long as they fit with the agreed upon theme I trust him to take things to where they need to be. I still write the songs I sing on recordings, which are generally the “noise” tracks.
All of our releases will be based on a single theme.

What's the significance of the Smiths lyrics used on the inserts on COH releases? ("Behind the hatred lies a murderous desire for love").

First and foremost just because I think it’s a great line from a great song.

I’ve put a quote on every release that I’ve been on for at least five years now; I usually try and find something that encapsulates where my head is at.

I’m not really interested in single objects; I don’t believe anything exists in isolation from everything else (this is also part of my drive to release themed records from now on). For example I’m not interested in single bands in and of themselves, it’s the connections (or breaking of connections) that makes music interesting to me on a more long term level. A nice song is a nice song for the duration I listen to it and then becomes a part of the void again. I like art that is clearly a reaction – against something, for something; art that stands separate and in opposition to something, that stands alongside other things and makes open allegiances with them (people, concepts, movements).

I like sample based music, hip hop in particular, because it reframes other peoples work and presents it in new forms, early Bomb Squad productions are classic examples of this.

In sampling an out of context line that Morrisey wrote almost thirty years ago I’m weaving him into my own narrative. Mission from God is very much my own narrative of growing up in northern England in the 1970s and 1980s. The Smiths were also a part of that cultural landscape growing up.

The spectre of sexual sadist and serial killer Peter Sutcliffe killing women close to my home deeply affected me and is now a simplified representation of the disgust, deterioration and decay I felt in my early years. He’s a convenient human shaped symbol of everything that’s hopeless and shit in the world.
The Smiths lyric is just another convenient symbol in this context.

Most underrated record in recent memory? Feel free to name a few. Any genre(s) will do.

I honestly don’t know, the music we listen to and produce is of such nominal interest that everything’s underrated when 1000 copies of a pressing is considered a decent size.

Every bullshit tenth rate weak screaming and sloppy blast beat turd band has been name checked in at least one “recommend me some power violence” internet discussion thread and for every three people that will say they like something there’s another five saying those people unequivocally wrong.

Time is the only thing that will dictate who we remember and who we forget. The people that remember the bands of merit that no one else seems to remember will be vindicated when they say xyz from 20 years ago were underrated.

Most north American hardcore kids have very little idea who Blind to Faith or Kickback are, but both are either on their way to being highly regarded or already are huge in parts of Europe. So are they underrated or not?

Some music that I’ve really enjoyed in the last few months:

* Sea of Shit/ Water Torture 7”
* Radioactive Vomit – Witchblood tape
* Kickback – No Surrender LP
* My Dying Bride – The Barghest o’Whitby 12”
* Purity Control – Coping 7”
* Hatred Surge – Human Overdose LP
* Evoken – Atra Mors CD
* Heratys LP

And bands from the past that I think are underrated/ never got their full dues:

* Korpse
* Steel Pole Bath Tub
* Aspirin Feast
* No Security
* Svart Parad
* Stone Wings
* Damnation AD
* Drunks with Guns
* Haters (UK)
* Apostles
* Defeatist
* Head of David



Name a few of your favourite film scores.

Off the top of my head:

* Paul Giovanni – The Wicker Man
* Andrzej Korzynski – Possession
* Michael Andrews – Donnie Darko
* Riz Ortolani – Cannibal Holocaust
* Ennio Morricone – The Thing

What are you looking forward to at this year's Not Dead Yet? Even though it's only in its sophomore year, do you have any thoughts on the fest you'd like to share?

Inmates, Gas Chamber, Purity Control and Iron Lung are the bands I’ll make sure I don’t miss. The addition of Urine Cop on the Thursday is a bold/ gloriously ridiculous move and I look forward to watching the audience give up on them.

The only other thoughts I have is that besides being entertaining and an obvious focal point, music is not the only important thing about hardcore punk.

I salute Greg for his tireless and frequently thankless devotion to making something happen in Toronto, when he inevitably retires there’s going to be a huge gap left by his absence if no one else steps up.
Greg is also one of the main reasons I was convinced to make CoH a live thing at all.

Three New Releases

Out this weekend:

The Rita - Womankind 2: Cleopatra, Sacred Servants 

Perhaps my favourite material yet by Sam.

20 minutes, 100 copies.

Serpents - Demo 2004 

Serpents were basically the blueprint to Drainland. 

Before it was OK to say your band was influenced by Swans three Irish reprobates made a five song demo of some of the ugliest, most depressing shit I'd heard since Public Castration is a Good Idea.

Several years after receiving a limited edition of one unmixed demo in the mail i heard the finished version and wondered if it was even the same band; the gloriously despondent demo had been cleaned up beyond all recognition.

About a month ago i found the CDR in my basement and told Jamie i was re-releasing it in its rough as fuck unmixed form and here it is, minus one song that ended up being absorbed into Drainland's early work.

Confused people at the time didn't know what to make of them and described them as Ireland's answer to Kylesa and Tragedy, which is utter fucking rubbish. Serpents always reminded me of Head of David, Zoopsia, early Fudge Tunnel and the late 80s/ early 90s burgeoning (primarily) London post-punk noise rock scene.

Definitely one of my favourite unknown gems of the era.

20 minutes, 100 copies.

Column of Heaven - Demonology

Further developments of two distinctly different approaches on Mission from God. Contains the songs that will eventually be the split 7" with Radioactive Vomit and the 7" for Iron Lung Records.

Goes from straight forward noise drenched grindcore (the split) into something less rigidly bound to the genre (the 7"). Heavily influenced by my recent re-obsession with Terminal Cheesecake, Loop, Fall of Because, God, the first Techno Animal LP, and any of the bands i mentioned in the Serpents write up (think Entheogen and They Never Learn from Mission from God, or The Summer of Missing Children from Soldier's Field as starting points).

18 minutes, 100 copies.

Available from me at Not Dead Yet this weekend. Left over copies of all releases will go to Analog Worship, Scream/ Writhe, and probably Anthems of the Undesirable.

New release

Pick Your Side - live on CIUT, 14 song C20, 100 copies. Available on the Pick Your Side European tour  and Not Dead Yet fest in Toronto next month.

Recorded September 11th 2012, broadcast on September 16th, recorded by Jonathan Hawkes and remixed slightly by me for this release.

New tapes from The Rita, Column of Heaven (possibly two, haven't decided yet) and Serpents (the band that set the blueprint for Drainland) next month.

friday

Second local show for Column of Heaven in 2012 

All bands rule, Purity Control are my favourite local boy band, snideyness aside i love what they do and hope they can break free from the TOHC ghetto one day. Farang is the other ex-Blockade band, and Spearhead is neither a jazz poetry slam act, racist newspaper or an English death metal band. They have a demo on bandcamp, i'm posting from work so go seek it out yourself with your fine internet skills: "Toronto spearhead hardcore bandcamp -michael -franti"

Venue is suitably tiny.

three fests

Toronto, Not Dead Yet, last year this fest forced Column of Heaven to become a live act, something i was against before hand.

Tickets

Info

When not playing you might find me on the door of a show or two taking your money with a smile or taking old power violence dudes out for vegan burritos everyday.

My first show on US soil in three years. The Pick Your Side group e mails were all giddy with "dude, fucking Infest is playing this thing!". I don't see their name anywhere on this flier, however Catharsis are on the bill, which i find pretty weird. I'm hoping for a drum circle on a freezing January night in Baltimore. Dumpster dived vegan feast optional.

Stoked to hang out with them again, last time i saw most of them was the night before someone flew a plane into the Twin Towers.

Info

Bloodshed Fest in the Netherlands. I'll never get tired of these names. Next year i'm booking an all noise and grindcore fest called "Watch Yer Handbag Missus! fest", i should probably hold it in Possil in Glasgow.

Mass Grave and Blind to Faith are playing, this makes me happy. Drop Dead at last years Not Dead Yet were easily the best i've ever seen them in almost twenty years of seeing/ booking them.

Expect to find me at the bar when the porn bands play (is there more than one on the bill? I can't tell...)

Info

These are the Pick Your Side European tour details