Tuesday, January 24, 2012

a timely warning

Photobucket

this is going to be "ancient" news in about 38 minutes i guess, but here goes anyway:

It's unfortunate that Brooklyn Vegan chose to add nothing to the potential debate around the Bastard Noise/ MitB vs Akron Family's merch machine debate. Instead their piece looks vaguely like some kind of TMZ meets EXTREME MUSIC (bro') pop news item.

The Skull is famously not drawn by Eric Wood's own hand; he took it from a book in the library twenty years ago. And Akron Family aren't the first to use The Skull on a shirt, Capitalist Casualties did it, Robocop did it; i'm sure a shit ton more have used the image.

Really what this about is context and re-appropriation.

I consider Wood a good friend and i can imagine that if whichever dude in Akron Family it is that used to drink 40s in the parking lot of crust shows as a teenager in the 1990s had e mailed him and said "i love your work, i play in this band, i think it would be funny if we used The Skull on one of our shirts as a weird homage/ clandestine propaganda" Wood would have been completely stoked.

Instead he sees some band with absolutely no clear link to any of his values, principles or aesthetics using The Skull with no explanation and he's mad as hell and goes into his patented Eric Wood Meltdown Mode (no one is safe...).

Akron Family have not obviously paid their dues and it just looks like another depressingly typical context-less re-appropriation of a symbol that represents considerably more than Akron Family understand (see my awesome Akron Family tattoo below).

It would be like seeing Kit Kat do a commercial where their delicious product forms Black Flag bars and some central casting punk kids eat them. What's the connection (Besides Dez Cadena potentially really liking Kit Kats)?

This will all blow over. Akron Family's manager will figure out his charges aren't going to get sued, they'll eventually issue a public statement (or Israel Lawrence will just keep posting private communication from the band) about how they meant it all in the greatest respect.

And because seemingly no one can ever remember history, it'll happen again in a few years (remember the utter PR disaster of Nike's Major Threat tour a few years go?)



What's the lesson here? That if you don't have an obvious claim to a symbol, you need to put it the fuck down and find something else.

Hardcore punk (and metal and noise and every other contemporary youth culture for that matter) is infamous for its picking and choosing of external sources and symbols. Sometimes people pick up symbols they have absolutely no claim to. I remember about ten years ago a friends grindcore band, Tangaroa, got into a whole heap of internet bullshit with some people who were understandably miffed that they were using the name of a Maori god for their band name. As if the Maori's hadn't been almost colonised out of existence enough without some English kids rendering something of great importance meaningless.

There's several moments in my own body of work, including recently, where in hindsight i've felt i should have actually left someone else's imagery alone.

No one looks good here, Wood and his friends and supporters (like me) look petty ("it's just an image man, other people have done it before and he just took it out of a book anyway"), and Akron Family look like cynical plagiarists at worst and naive dilettantes at best.

OK, i'm off to reblog 8,000 pictures of alchemy on tumblr


Friday, January 20, 2012

Column of Heaven shows

Montreal, Fri Feb 24, @ Death House

Vile Intent
Hoax
Column of Heaven
Sqrm
Flatgrey

Toronto, Sat Feb 25, @ Siesta Nouveaux

Vile Intent
Column of Heaven
Gas Chamber
Farang - the other ex-Blockade band

Ottawa, Sun Feb 26, @ The Legion

Vile Intent
Column of Heaven
The Donner Party
Spilt Guts
Roughhouse

Still very much in the figuring things out stage but at the end of June/ beginning of July we're hoping to be in British Columbia. Squamish, Kelowna, Vancouver and possibly Victoria. The usual Mudlark/ Haggatha/ Osk related bands will no doubt be playing the shows and supplying 50% of the band with drugs

In September we're planning on making the foolhardy trip over the border for two weeks of shows, hitting the usual east coast and mid-west spots you can get to in 16 days when you're starting in Toronto.

Mission from God tape on Survivalist should be (might be...) ready for the three shows in feb, the 12" version on SPHC will be out a month or two after that (is my guess). Thirteen songs, absolutely no surprises for anyone with even a passing familiarity with things i've placed on/ written in the last five-ten years.

the void

man, i remember when i used to post here...

the current void that has infected Survivalist is temporary, but is going to be in place until august this year. After that it looks like i might have five minutes free to actually put some records out and post some stuff

some minor bits of news coming in the next short while

Saturday, November 19, 2011

Pay What You Want



aka just download it for free

repress of 300 coming sometime

Sunday, November 6, 2011

Black Paintings// Death Agonies

Eric finally released the Black Paintings tape he's been talking about for around three years now:

black paintings - demo mmxi cs

black paintings is about recognizing that nothing good ever happens, but a) why should it? and b) it doesn’t matter. it navigates the works of goya circa 1820 and reinhardt circa 1960.

primitive.tools@gmail.com if you want one

Death Agonies live a few months back:



Death Agonies is currently recording 15 songs for what will probably end up being a 7" and a split 7". If you've ever longed for d beats and contact mic'd metal carnage then these might just be the recordings you didn't know that you were searching for

Wednesday, October 26, 2011

Inaudible garbage



Shows won't be a regular thing for this band, will happen at least twice a year

and as i said in reply to a comment on this blog elsewhere (regarding the Blockade tape) "there are copies of the tape left, not many, but enough for anyone with a keen eye to grab one. Probably won't be able to get to the post office until next week though."

Saturday, October 22, 2011

Twitch of the Death Nerve


Last ever release for The Endless Blockade, an 11 minute cassette of the only recording of the final line up of Bloomer, Carroll, Edgar, King and Nolan. Recorded in our practice space the week before we dissolved the band this cassette represents the set list we played at pretty much every show in 2010; though it lacks the extended noise and closing song of either Do Not Resuscitate or Qabalistic Zero.

Bloomer was a long time friend of the band and joined us as an extra blast of noise for our final year. His solo works since around 2007 or so have mostly explored noise as a unified field of integrated textures rather than explorations of volume as a tool or juxtaposing clashing dynamics; his approach is pretty much HNW without really being HNW.

His presence on this recording is understated; emphasising the distortion overload and mirroring the intent of the music rather than putting new sounds into old places, which is frequently the approach i take when adding noise to music.

This is available at Column of Heaven's debut performance in Toronto tonight, any left over copies will go to 20 Buck Spin and Absurd Exposition. I'll be going back into my academic swamp after tonight - only coming up for air in December to attend Rites of Darkness - so please contact those guys for mail order.

This exists in the form of 100 cassettes because this isn't some precious work of art that needs to be left as a monument to a seven year period of our lives. This exists in the form of 100 cassettes because an outdated, fragile, hated, disposable, easily dismissed and largely dead format is the most fitting carrier of the last recording we ever did.

Consider it fertiliser for everything the five of us intend to do next.



Pisshorn, RIP



Bloomer finishes one of the dumbest nights Blockade was at the centre of